Latest News  
<empty>
Current Feature Story  
<empty> <empty>
Join Our Email List
Email:  
For Email Marketing you can trust
 
 

La Calle- Issue 1, Volume 1, Summer 2008
Feature Artist: Paula Rivera

Actress & emerging playwright talks about her new play, "Every Girl Wants a Skirt Like Frida's"

I was born in Mexico City. I came to Canada in 1999 because while I was in Mexico I was dedicated to other things that were not related to art and I was very unhappy. So I decided to quit University and become a modern dancer, since dance was something I have done since I was a little girl. I was accepted as an apprentice in a reputable Mexican dance company. Soon after starting my professional training I got an ankle injury, which kept me away from dance for a while. Months of depression came, when a friend from Vancouver called asking me to join her in a Jennifer Mascall summer workshop. I had no idea who Jennifer Mascall was but I decided to take the workshop. I was in deep need of a change.

When I arrived in Vancouver I was young and inexperienced and the idea of living abroad for a while, without my family’s expectations, was very strong so I decided to turn the week stay into a month, then into a year, then into two and finally into almost ten. Through dance I discovered theatre and since then I haven’t stopped learning and finding ways to do what I love. I moved to Toronto a couple of years ago and loved this city from the moment I arrived. In a strange way I felt closer to my country, to my culture. I felt that I was not so far away from my family, my country, and that I that finallywas going to be able to integrate both my Mexican/Latin culture and Canadian culture into my life.

As a performer I love how present and alive one feels when performing for an audience. I love that in every performance the energy is different and that you can’t ignore it because it is determined on the night of the performance. As a spectator I love when a piece takes me to a different reality and that I can relate emotionally without feeling forced to do it. I love when many days after the show, I am still thinking about what I saw.

Right now I am working on Every Girl Wants A Skirt Like Frida's. It's my first work of writing for the stage. It's a one-woman show that speaks about all those common things that happen to immigrants in a new city (like re-definition of identity), but it also speaks about personal demons (the dark stuff inside you that follows you no matter where you are). The premise is quite simple: the character, Honoria Delgado drinks Tequila, dances and opens herself up while she waits for her friend Jane to pick her up to go to a Halloween party in Vancouver. Even though Honoria is dressed as Frida Kahlo, she has a special dislike for this mythical Mexican figure that has become the source of inspiration for too many women. The rest, well come and see it!

 

The project started two years ago with my move to Toronto because I felt I needed to take control of my artistic life since sometimes being an actor can be quite discouraging.  In 2007 the play was invited to the Summerworks Festival as part of their reading workshops. There I had the opportunity of working with director Beatriz Pizano and local dancer Lucy Rupert, before testing the text in front of a live audience. The feedback I got from that fantastic and challenging experience helped me re-visit the play with a different perspective, understanding that the first and foremost ambition in a play is to entertain, and then hopefully, touch some cords. I asked Jerry Ciccoritti to be part of the project. He agreed and well, here we are! It’s running at the Toronto Fringe from July 3-13. I was also recently a part of the Taxi Project which is a theatre piece developed by PEN Canada’s Writers in Exile and ARC Fest.

I founded “Arriba Las MaNos” a new theatre company founded by Latin Americans who don't want to tell Latin American immigration stories. That line is a bit of a joke because of course I am an immigrant so my art right now comes from my experiences as a foreigner coming to Canada. However I envision “Arriba Las MaNos” growing into a company that can bring the Latin American presence to Canada without always telling stories about the immigrant experience, because there is so much more for us Latin Americans to say. I hope that in the future we can do things, for example, like bring a play from Mexico or from Argentina, or from wherever in Latin America and that it can be performed in Spanish. The company is new and even though there are a lot of ideas to how I would like it to grow, I am sure that a lot of it’s development will come from the experiences and the people that will come into play in the future. I want to thank Marilo Nunez and Alameda Theatre Company for considering me for this interview knowing there are lots of great Latin American artists out there.

 
     

 

 

 
© copyright Alameda Theatre Company
website by hoffworks